The recession young jeezy album cover
The little computerized "i-i-i-i won't deny it" things on the hook are particularly pointless. The worst Ambitions As A Rider remake ever. It's like a horrible imitation of Juvenile's "Gone Ride With Me" flow. The 'look what I'm blazin/eyes so low that I look like an Asian' hook isn't as bad as the sing-songy thing he does at the end of each line. For once his flow's on point, the beat's serviceable, the conceit of Jeezy-as-teacher-for-a-living is hilarious, and the confused, extended sports metaphors for transporting coke are fun, in large part because the uneducated listener (such as myself) suspects there's this whole world of double-entendred out street slang going over his head in lines like these: This is literally the first song on the album that's good enough to have made the cut on the first two. Even here, he sounds like he's bragging, or at best slightly bemused.
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He doesn't seem to know how to sound angry - just celebratory or braggadocious. Tonally, I don't think Jeezy's cut out for political protest. As for content, Jeezy doesn't really have much to say - merely that the world is crazy and Bush is somehow at fault. They try to box me in, sit me still like a vegetableĬan't quite explain why that's so annoying, but it is. I said the letter C I guess that's for cor rectional When the government throwing more curves than the letter C I really ain't buying all this bullshit they selling me Your going back to jail that's what my conscious keep on telling me Instead his flow falls into this really annoying pattern where he stresses the third-to-last syllable of each line, like so:Īll I got to my name is two bricks and one felony This starts like a great Jeezy song - apocalyptic Thug Motivation 101-esque beat, urgently delivered first few bars, promises of 'dumb shit, where you from shit, ride around your hood all day with your gun shit' - but then Jeezy fails to deliver. Appropriately, the beat's like a boring remake of 'Standing Ovation.' But then they're abruptly dropped for something worse - a really long, boring hook where every line ends with 'by the way,' rendering the song borderline unlistenable. If this is how you're going to come back, you're so not welcome.įor a second I thought he was going to make the classic overindulgent-rapper-on-his-third-album mistake of bringing in a kids' choir. The first four lines of the song end with place/face/face/face. Wherein Jeezy (or someone who sounds a lot like him) welcomes himself back, a weedcarrier not having been available to do the honors that day.
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That's South Carolina, just pay my driver So I'm gon' need one of you to get the work to Colombiaīut if need be I'll get the work to Columbia God bless America, never been to Colombia If you were going to make a song about everybody being broke, would you use this beat? The rapping on here's really slurred and lazy. I liked this much better when it was 'Girls, Cash, Cars.' Sample was flipped way better. If I don't mention the beat, it's probably because it's too mediocre to talk about. That said, let's get into this song by song. However, the line between classic material and weedplate status can be awfully thin, and I think there are four major factors leading to the crossing of said line on this album: As a huge fan of his first two records, I struggle a little to explain why, since he hasn't deviated too far from his usual formula. So I finally got around to listening to The Recession and to my surprise, it sucks.